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ASIAN ARTS CENTER
JOURNAL
Vol. XIX ,
Issue# 3, 3rd Quarter 2006
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Waiting
anxiously for Oshiro sensei at Newark Airport this Friday, April 21, I wondered
what kind of mood he’d be in since the airline had changed his schedule and
advanced it by 90 minutes, forcing him to get up by 4:00 a.m.? As a dutiful
student who had inconvenienced his teacher, albeit unwillingly, I made ready to
offer him an apology. When he emerged from the corridors of Terminal C, I was
relieved and shocked at the same time. Relieved, because he was in a good mood,
and shocked because he was sporting a crew cut. Gone was the proud mane I had
long associated with his looks.
On
the way to the dojo, we chatted about the upcoming international Yamanni-ryu
tournament in Tokyo on November 5. The only people in Japan who could organize
this event were Shotokan people, under the aegis of the legendary Kanazawa. No
one on Okinawa could do this since there were not enough Yamanni-ryu
practitioners there.
On
the agenda tonight at the dojo was an introduction to Shurite–or
Shorin-ryu–as Sensei meticulously went over
how to make a proper fist, how to stand, how to pull one’s weight, how to
punch, and how to move; what constitutes a powerful punch at any distance
between points A (chamber) and B(target), and what’s a true reverse punch.
Chris Ilao and Miro Musulin were the recipients of many demonstrations by
Sensei and could attest to the truth of his allegations. The students paired
off and Sensei taught a yakusoku (pre-arranged) kumite drill which
illustrated his notions of simultaneous step-and-block or step-and-punch.
After
class, Chris Ilao and Theresa Nguyen joined Sensei and me for dinner at Ginza
where he regaled them with tales of old Okinawa (and where he determined that
Ginza was not an authentic Japanese restaurant as I had thought.)
SATURDAY,
APR 22: True to forecast, this weekend started out on the rainy side. This
morning Sensei was introduced to my new kobudo students (the weapons class was
depleted for a long spell but now we have some new blood) Matthew, Samantha, and Chris (although Sensei already
knew Chris from the karate class); Brooke was an old hand. Sensei went over
bojutsu basics, watched the students carefully, and checked out their katas,
Choun-no-kon sho and dai. Then, he trained us on saijutsu. He watched each
person perform his/her highest kata and was quite impressed with Samantha’s
Nakan-Dakari. He pointed out the finer points of Kishaba-no-sai/dai to Brooke
and me; we bowed out at 11:30 a.m.
After
lunch, Mr. Sam Brockington and his student Michael arrived for the RBKD
Instructors session. Brooke, as a shodan, stayed on for this class. Sensei
Cleve Baxter from Yonkers came slightly late because of a wrong turn; Mr. Kowa
Chhe from upstate New York had promised to come but never made it.
Sensei
took us through some awesome dexterity exercises and difficult stretches he had
gleaned from ballet dancers. Then he took us through Shirataru-no-kon,
concentrating on some difficult sections. After we bowed out at 3:00, Cleve
took him to New York where he was to meet with a former student.
SUNDAY,
APR 23: Sensei had stayed overnight in New York and was brought over to
Bloomfield Middle School this morning by his student, whose 10 year-old son was
attending today’s seminar. I had arrived around 9:00 a.m. in the drizzle to set
up the gym and prepare for the day’s work.
This
was one of those times when I couldn’t even get twenty participants to attend.
Don’t people realize Oshiro Sensei comes to New Jersey only once a year? As a
martial artist, I will never understand people’s relative priorities and their
inability to catch opportunities to study with a genius.
(So
much for my complaining.) Kowa Chhe showed up with two of his students instead
of the customary ten or fifteen; a new arrival was sensei “Duke” Allen, a
talented former Jundokan instructor who is now in the IOGKF. He brought four of
his black belts who would soon find out just how hard Yamanni-ryu is.
After
we bowed in at 10:00 and Sensei let me run the warm-ups, we started with
saijutsu, true to my schedule. Sensei went over the basics, then broke up the
group into sub-groups for kata. I took the very beginners to teach them the
Kihon katas.
We
were supposed to stop at 11:00 and switch to bojutsu but when I looked at the
clock and then at Sensei busily teaching, I didn’t have the heart to interrupt
him or his group. By 11:30 he came over and asked me when we should be
switching to the next item in the agenda. I told him, “Half-an-hour ago”; he
laughed. So, instead, he agreed to run a half-hour of bojutsu basics and we
stopped at 12:00 for lunch.
When
we resumed at 1:00, Sensei was supposed to introduce the gusan (cane, or
jo) as we had planned (and as I had advertised in the invitational
flyers) but since it didn’t look like anyone except my students had brought
theirs, we nixed the idea and instead ran a bojutsu class. I took the beginners for the Do-nyu-no-kon
katas and Sensei broke up the remaining group to train them at various kata levels.
Later,
while we watched the students self-practice, Sensei conferred with me regarding
the last session of the day. We were supposed to teach kumibo (bo applications)
but he thought the attendees were getting tired so we decided instead to offer
them a choice of training: whoever wanted to practice tunfajutsu would follow
Kowa, those who wanted to train in bojutsu would follow Sensei, while I took
the senior instructors through Kishaba-no-sai/dai.
At
4:00, Sensei ended class, sat everyone down for a quick Q & A session and
bowed us out. Outside, it had stopped raining and the sun had come through.
WHAT’S
HAPPENING IN AUGUST: THE AAC’S 3RD
ANNUAL JUNIOR KARATE SUMMER CAMP, AUG 14-18: I will be running a Junior Karate
Camp again this summer, from 10:00 a.m. to 2:00 p.m. the week of August 14 -
18. I will be introducing a Junior Yamanni weapons class (with the sai and bo);
Friday, the last day of camp, will hold our mini-tournament with its subsequent
awards ceremony and pizza party. The fee for the entire week is $150 (including
Friday’s awards and treat).
WHAT’S
HAPPENING IN NOVEMBER: THE FIRST
INTERNATIONAL YAMANNI-RYU TOURNAMENT IN TOKYO, JAPAN, NOV 5: The first ever
world Yamanni-ryu tournament! Hosted by Hirokazu Kanazawa sensei of Shotokan
fame, it will attract competitors from Germany, France, the Czech Republic, the
USA, and, of course, the Japanese.
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BOOK REVIEW: THE ART OF PEACE
by Morihei Ueshiba,
translated by
John Stevens
Most
martial artists know of Morihei Ueshiba, the late founder of Aikido–which
Steven Seagal had helped put on the map (and which nobody can study because
it’s so difficult.) But few people know just how awesome he was (and I use awesome
in the true literal sense) and what purpose he intended for his art. Aikido was
not just another martial art; it is no martial sport (the way judo is), neither
was it the modernization of Daito-ryu Aikijutsu, which Ueshiba had studied
previously. There are practitioners who feel that, since Ueshiba sensei studied
Daito-ryu himself, why not skip the middle-man and go directly to Daito-ryu and
learn what he himself had learned? But that is not the answer. What Ueshiba
sensei discovered had nothing to do with Daito-ryu. It was an apotheosis and an
enlightened discovery into the heart and essence of martial art itself.
Morihei
Ueshiba was born December 14, 1883, in Tanabe, located on the seacoast of what
is now Wakayama Prefecture. His father, Yoroku, was a wealthy landowner and his
mother Yuki was related to the Takeda clan. From an early age, Morihei had
mystical experiences.
At
the age of 18, in 1901, he ventured into Tokyo to start a thriving stationery
business; there, he received his first martial art training and did Zen
meditation at a Kamakura temple.
In
1904 war broke out between Japan and Russia and Morihei was sent to the
Manchurian front the following year. The war ended quickly in Japan’s favor
(and was cheered by all Asian nations); Morihei was discharged and returned to
his native Tanabe to farm. He continued his martial arts training and
eventually received a Yagyu-ryu Jujutsu certificate in 1908.
In
1915, in Hokkaido where he and other settlers were developing land, Morihei met
and trained with the formidable Sokaku Takeda (1859-1943), the grandmaster of
Daito-ryu Aikijujitsu.
In
1919, receiving the news that his father was gravely ill, Morihei left Hokkaido
and returned home; on the way, he met the mystic Onisaburo Deguchi (1871-1947).
He became the latter’s disciple and in 1920 moved his family to Ayabe to be
near Onisaburo’s compound. Onisaburo was a pacifist and optimist who profoundly
influenced Ueshiba. Soon Morihei distanced himself from Sokaku and the
Daito-ryu.
In
1924, Ueshiba, Onisaburo, and other members of their sect embarked on “the
Great Mongolian Adventure”, trying to locate Shambhala (otherwise known as
“Shangri-la” by Westerners). They survived floods, hailstorms, near-starvation,
poisoned food, bandits, and a near-execution at the hands of the Chinese army.
But through that ordeal, Ueshiba discovered his mystical and miraculous ability
to sense the direction of bullets and dodge them. He had realized “the essence
of Aiki (harmonization.)”
When
he returned to Tanabe in 1925, Ueshiba was a different person. Then he received
illumination in a momentous experience:
“Suddenly the earth trembled. Golden vapor welled up
from the ground and engulfed me. I felt transformed into a golden image, and my
body seemed as light as a feather. I could understand the speech of the birds.
All at once I understood the nature of creation: the Way of a Warrior is to
manifest divine love, a spirit that embraces and nurtures all things. Tears of
gratitude and joy streamed down my cheeks. I saw the entire earth as my home,
and the sun, moon, and stars as my intimate friends. All attachment to material
things vanished.”
Ueshiba
became an invincible martial artist and set off on his mission as a prophet of
the Art of Peace.
Here’s
an eyewitness account of Ueshiba’s uncanny ability to actually sense and dodge
bullets, as recounted by Gozo Shioda (1915-1994), one of his early students:
“One day [in the mid-1930s] a group of army
sharpshooters visited the dojo to observe a demonstration by Ueshiba Sensei.
After the demonstration, Sensei suddenly announced: “Bullets cannot touch me.”
This was a direct provocation, and the marksmen immediately challenged him to
prove it at their home firing range.
When we reached the firing range, we found that not
one but six marksmen would be taking aim at Sensei.
“Ready, aim, fire!” went the command. There was a
loud explosion, a swirl of smoke, and suddenly one of the marksmen went flying.
Morihei was standing behind the shooters, laughing. All of us were totally
stunned and bewildered. We asked him to perform the miracle again, and he agreed.
The scene was repeated–the shots, the explosion of noise and smoke, a flying
marksman, and Sensei standing behind the shooters.”
Ueshiba
increasingly spoke against war and was under constant surveillance by the
government because of his views. He stated that Bushido is not learning how to
die, but learning how to live, how to protect and foster life.
In
1945, at the war’s end, Morihei proclaimed, “We will train to prevent war, to
abolish nuclear weapons, to protect the environment, and to serve society.”
In
1957, he gave a lecture to a group of college students: “All of us in this
world are members of the same family, and we should work together to make
discord and war disappear from our midst. Without Love, our nation, the world,
and the universe will be destroyed. The purpose of education is to open your
spirit. The entire universe is a huge open book, full of miraculous things, and
that is where true learning must be sought. In that spirit, take
responsibility, train hard, develop yourselves, bloom in this world, and bear
fruit.”
Morihei
Ueshiba continued to train, travel, and teach widely until the very end. In
1967, he fell ill with what was eventually diagnosed as terminal cancer and
grew very frail, but not weak.
He
passed away peacefully at dawn on April 26, 1969, at his home in Tokyo, at the
age of eighty-six.

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WORDS
TO LIVE BY:
–“The Art of Peace begins with you. You are here for
no other purpose than to realize your inner divinity and manifest your inner
enlightenment. Foster peace in your own life and then apply the Art to all that
you encounter.”
–“Heaven is right where you are standing, and that
is the place to train.”
–“Your voice is a very powerful weapon. When you are
in tune with the cosmic breath of heaven and earth, your voice produces true
sounds. Unify body, speech, and mind, and real techniques will emerge.
...A sincere human being is one who has unified body
and spirit, one who is free of hesitation and doubt, and one who understands
the power of words.”
–“As soon as you concern yourself with the ‘good’
and ‘bad’ of your fellows, you create an opening in your heart for
maliciousness to enter. Testing, competing with, and criticizing others weakens
and defeats you.”
Morihei Ueshiba, The Art of Peace
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RECOMMENDED
READING:
As
if you haven’t guessed by now, my book selection for this issue is Morihei
Ueshiba’s THE ART OF PEACE, translated and edited by John Stevens,
published by Shambhala Classics, 2002. This is no ordinary biography (just as Autobiography
of a Yogi by Paramahamsa Yogananda was no ordinary autobiography) as you
enter the world of a truly enlightened being, his miraculous doings, and the conclusions
he reached. It’s always satisfying to see a person of deep faith live a life of
unshakable conviction and prove that the meek shall inherit the earth.